An exacting facsimile of Umbra protagonist Norman H. Pritchard-s long-rare 1971 collection of visually kinetic poetry
American poet Norman H. Pritchard-s second and final book, EECCHHOOEESS was originally published in 1971 by New York University Press. Pritchard-s writing is visually and typographically unconventional. His methodical arrangements of letters and words disrupt optical flows and lexical cohesion, modulating the speeds of reading and looking by splitting, spacing and splicing linguistic objects. His manipulation of text and codex resembles that of concrete poetry and conceptual writing, traditions from which literary history has mostly excluded him. Pritchard also worked with sound, and his dynamic readings-documented, among few other places, on the album New Jazz Poets (Folkways Records, 1967)-make themselves heard on the page.
EECCHHOOEESS exemplifies Pritchard-s formal and conceptual sensibilities, and provides an e
