From "Aliens" to "Titanic", James Cameron's films have spanned genres,
broken box-office records, cleaned up at the Oscars, and turned body-builders
into movie stars. This book provides a critical study of James Cameron as an
auteur, and offers an overview of his work and its significance within
cinematic history.From "Aliens" to "Titanic", James Cameron's films have spanned genres,
broken box-office records, cleaned up at the Oscars, and turned body-builders
into movie stars. Despite Cameron's undeniable influence on the high-concept
postmodern blockbuster that dominated the 1980s and 1990s, there has until
recently been little academic attention to his work. Alexandra Keller provides
the first critical study of James Cameron as an auteur. Considering in
particular his treatment of gender and preoccupation with capital, both in his
films and his filmmaking practice, Keller offers an overview of Cameron's work
and its significance within cinematic history. Featuring excerpts from
interviews and frame-by-frame analysis of important scenes from films such as
"Terminator", "Aliens", "True Lies", and "Titanic", sections in the book
include: chronology; key debates; key scenes; sources; and resources. This is a
fascinating insight into the work of one of Hollywood's top directors, and will
prove invaluable to students of film studies and media studies all over the
English-speaking world.