Focusing on key members of the Pisan Circle, Byron, the Shelleys, and Leigh Hunt, Maria Schoina explores configurations of identity and the acculturating practices of British expatriates in post-Napoleonic Italy. The problems involved in British Romanticism''s relations to its European ''others'' are her point of departure, as she argues that the emergence and mission of what Mary Shelley termed the ''Anglo-Italian'' is inextricably linked to the social, political, economic, and cultural conditions of the age: the forging of the British identity in the midst of an expanding empire, the rise of the English middle class and the establishment of a competitive print culture, and the envisioning, by a group of male and female Romantic liberal intellectuals, of social and political reform. Schoina''s emphasis on the political implications of the British Romantics'' hyphenated self-representation results in fresh readings of the Pisan Circle''s Italianate writings that move them away from int
