This book traces the history of spaces used for Chinese opera performances (xiqu), from early ritual grounds and temple stages to guild halls, commercial theatres, court playhouses, and modern urban venues. It shows how xiqu was profoundly shaped by the environments in which it was performed. Based on extensive fieldwork, archaeological materials, inscriptions, and historical records, the book explores how these spaces were constructed, utilised and managed, and their links to religion, local society, commerce, architecture, and state power. It covers developments from early China through to the twentieth century. The narrative highlights how these spaces influenced the styles, practices, and growth of xiqu, with a special focus on significant surviving stages, particularly in Shanxi. Written for scholars and students of Chinese theatre, art, architecture, and cultural history, this book also appeals to librarians, curators, and general readers seeking an engaging and accessible account of China’s rich theatrical heritage.
