Treated for a rare tumor, the young photographer of Polish origin has transformed her illness and her body, scrutinized by science, into a remarkable work of art.
In this work Izabela Jurcewicz deals with traumatic memories written in the body on a cellular level. She was an interorgan tumor patient, one of 300 cases worldwide, where science had few answers to the cause and how to proceed.
This experience of a patient being ‘on view’, researched and scanned, coined her relationship with the camera and ways of seeing a human. These medical experiences, especially surgeries, live as a photographic negative in her body and life, which henceforth produce images, including the ones that form this book. In the act of return, Izabela replaces the invasive surgical instrument with her camera as a receptive device to register, merge and enable a ritual of healing.
To synchronize the level of knowledge in her body and mind, she reperforms the tra
