How do contemporary Japanese television dramas grapple with questions of diversity and inclusion—and what do their stories reveal about the society that produces them? To address these questions, Yasue Kuwahara offers the first comprehensive analysis on how Japanese dramas have portrayed gender, sexual orientation, race, ethnicity, and disability, revealing the cultural logics that shape who is included, how, and to what extent. Drawing on close textual readings, the book uncovers the subtle and overt ways that TV dramas negotiate Japan’s evolving social landscape. It illuminates how deeply rooted norms—especially the pressures of seken (an inescapable, invisible network of social relationships and unwritten rules) and futsu (acceptance through majority consensus)—continue to regulate social boundaries, often reinforcing conformity even when narratives appear progressive. This book also highlights the strategic use of kazoku (family) and the ubiquitous “family meal” as comforting tropes that seek to reconcile marginalized identities with an imagined national unity. These moments of televisual intimacy reveal both the possibilities and limits of media-led inclusion in a society wrestling with shifting demographics and the slow erosion of traditional hegemonies. Crucially, the book interrogates the rise of konpura—a shortened form of “compliance” that originated in business and now permeates multiple institutions—exploring how its cautious logic increasingly shapes cultural production. Rather than guaranteeing equity, konpura often functions as risk management, discouraging overt harm without encouraging structural change. Ultimately, the book asks whether contemporary dramas foster genuine social transformation or merely offer “cosmetic multiculturalism” that performs diversity without challenging inequality.
