International, interdisciplinary and urgent, this edited collection of 15 essays explores performances of resistance to Russian authoritarianism since the collapse of the Berlin Wall, with a particular focus on the 21st century under Putin’s leadership. Against the backdrop of Russia’s Post-Soviet history of rising nationalism and war in Ukraine, this volume challenges what we consider expressions of resistance. How can we evaluate their potential to contest autocracy? In a repressive climate, how do expressions, languages and forms of resistance re-emerge, replicate and intersect across past decades and artistic mediums? How do they reveal perspectives of the other and gesture toward the future? These pressing questions are answered by engaging with a wide variety of theoretical frameworks including bio-politics, feminism, decoloniality and intersectionality. The volume is organized into three sections that explore artistic expression, gender and postcolonial critique. A sweeping geographical range is examined, including Ukraine, Belarus, Hungary, Poland and the Caucasus and Central Asian regions of the former Soviet Union, reflecting more broadly on the shifting political landscape of Eastern Europe and Eurasia. The mediums covered are equally diverse, encompassing social and religious rituals in the public sphere, public speaking, collective or individual re-enactments of past traumatic events, traditional storytelling, social media activism and journalism. To contemplate resistance is to trace its shifting forms and to affirm its existence – even when it is excluded from public discourse, rendered invisible, censored or denied.
