This book tells the historical journey of migrant ballroom dancers from post-Soviet countries to North America, supported by interviews with these dancers about education, identity, and social integration. Through movement analysis, author David Outevsky dissects their daily training and international performances to analyze the commodification and politicization of DanceSport in the current neo-Cold War climate. Carefully uncovering the cultural characteristics that enabled former Soviet nationals to rise to the top of the ballroom industry and become household names on Dancing with the Stars, he shows how dancers use DanceSport as a tool for economic development and social assimilation. Using direct evidence from competitors such as Val Chmerkovskiy, their parents, and coaches, Outvesky untangles the threads of cultural policies, parenthood, and training philosophy to reflect on how Soviet values such as stoicism, filiality, and authoritarianism have migrated through the bodies of these dancers to reinvent the image of American ballroom.
