However dif?cult the Soviet era was for the peoples of Russia, its seventy-four years represented a true golden age for classical ballet. It was characterised by a wholescale repurposing of the art form from being the ''golden rattle'' of the tsars to the most potent cultural weapon in the Communist regime''s armoury in its struggles with the West.
The Golden Age presents a detailed overview of the development of ballet in Soviet Russia, from its ?ght for survival in the early years after the 1917 revolutions through the political demands of Stalin''s rule, the shock of armed con?ict with Germany and the onset of the Cold War. As the century progressed, Soviet ballet was not immune to outside in?uences hastened by the onset of cultural visits and exchanges; it also suffered the defection of dancers and ultimately opened up further with perestroika in the 1980s and the fall of Communist rule in 1991.
Gerald Dowler sets the complex, shifting world of R
