Better known as -Lizzie Siddal-, the model who posed for John Everett Millais-s painting Ophelia, Elizabeth Eleanor Rossetti is now finally recognised as a Pre-Raphaelite artist in her own right, working alongside her male colleagues on equal terms. Elizabeth-s designs were truly original, the creation of her own imagination. They embodied the essence of Pre-Raphaelitism that her husband Gabriel and other members of the circle were striving to achieve. The male members of the group shamelessly copied the ideas from Elizabeth-s small sketches to create their own large masterpieces which have since become the epitome of Pre-Raphaelite art. The exclusion of women from the narrative has had a major impact in creating the perception of the Pre-Raphaelites as a predominantly male artistic movement; in Beyond Ophelia Dr Glenda Youde shows Elizabeth not to be a pathetic drowning figure, but as the initiator of a directional change in the visual development of Pre-Raphaelite art. Featuring a un
