Fusing European expressionism with American popular culture, Andr-utzer started painting his way through the artistic and political extremes of the 20th century. With wide-ranging influences including the likes of Friedrich H-lderlin, Edvard Munch, Walt Disney, and Henry Ford, he developed a fictitious universe centered around the space colony NASAHEIM. There dwells the Peace-Siemens, a friendly head-shape that combines utopian ideas with the economical thinking of budding mass-consumerism, while a figure like the Wanderer offers romantic projections, or the Shame-Human reflections of the political past. This universe lends thematic depth to the canvases, with the characters acting as protagonists of paint, surrounding the N-House, home of all colors, in the style the artist has termed -Science-Fiction Expressionism.-
Some years into the new millennium, the colors took on a life of their own and grew into abstract paintings of lines freewheeling across the canvas. Moving
