The trials of criminals who disgust and fascinate the world in equal measure continue to be depicted primarily not at the push of a button but the point of a pencil or the worn-down end of a pastel stub. It is the odd, bickering club of court artists - summoned at the last minute, jostling for position, scrambling to make permanent an event or expression that has already fled the scene - that is still charged with providing the pictures the world hungers to see, and depicting the faces it demands to know. Jane Rosenberg has been a courtroom artist in New York for over 40 years. In her time on her benches, her pastels have captured some of the most notorious faces spanning multiple criminal eras: the Mafia crackdown of the 1980s and 1990s, the fallen titans of Wall Street's 'greed is good' decade, the sex abusers brought to account by the #MeToo movement, the police brutality spotlighted by Black Lives Matter, and the relentless infighting of Trumpworld. But whilst the cases and the man
