This book explores the profound connections between Nam June Paik’s artistic vision and Korean shamanism, a theme that has been largely overlooked in English-language scholarship. Drawing from key historical performances and theoretical insights, this volume examines Paik’s role as a shamanic figure who mediated between past and future, technology and tradition, and material and spiritual realms. The book situates Paik’s work within broader discourses on emerging media, emphasizing how his engagement with shamanism extends beyond ritual performance to a conceptual framework of communication, transformation, and spiritual resonance. It also investigates Paik’s legacy in relation to dark shamanism and neoliberalism, offering new perspectives on the cultural and political dimensions of his art. By bringing together critical essays from leading scholars, Electronic Shaman provides an essential resource for those interested in media art, shamanism, and the intersections of technology and spirituality in contemporary culture.
