Experimental ceramic sculpturesThis monograph presents Kaldahl-s experimental work in clay sculpture. His compositions and materializations are the result of intuitive improvisations and a direct yet subtle response to material and spatial qualities. Kaldahl has worked with a myriad of spatial themes and ornaments that frequently reappear in his formal vocabulary, and which arise out of a methodical, gradual, and experimental process. This catalogue includes an introductory essay by Brooklyn-based curator, writer, and historian Glenn Adamson. Copenhagen-based writer and curator Jorunn Veiteberg draws connections to contemporary and historical developments with ceramic practices in fine art and craft. Further, Kaldahl-s own voice is present in the publication in a number of highly engaging statements.
