Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo-s 1913 Futurist manifesto L-Arte dei Rumori (The Art of Noise) to Marcel Duchamp-s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance.
In Francesco Spampinato-s unique anthology of artists- record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly
