On Digital-Intelligent Art traces the evolution of human art through a digital lens, proposing a three-stage developmental theory: Art 1.0 (ancient traditions, including Chinese classical forms), Art 2.0 (East-meets-West synthesis of global expressions), and Art 3.0 (fusion of digital/intelligent tech like AI and immersive imaging).
On Digital-Intelligent Art traces the evolution of human art through a digital lens, proposing a three-stage developmental theory: Art 1.0 (ancient traditions, including Chinese classical forms), Art 2.0 (East-meets-West synthesis of global expressions), and Art 3.0 (fusion of digital/intelligent tech like AI and immersive imaging). Drawing on extensive curatorial experience, it builds a comprehensive framework covering epistemology, methodology, practice and future directions for digital-intelligent art. It clarifies creative principles, classification, tools and implementation, while analysing new paradigms of virtual–physical coexistence, human–machine collaboration, and a shift from outcome-based to process- and relationship-centred aesthetics. The book also examines the global landscape – integrating tech advances, exhibitions, academia and industry – to assess trends and governance challenges. Balancing theory with practice and including cutting-edge case studies, it fills a critical gap in systematic research, offering authoritative guidance for artists, scholars and professionals navigating the intersection of technology and creativity in the new era.
