Classical Greek Tragedy offers a comprehensive survey of the development of classical Greek tragedy combined with close readings of exemplary texts. Reconstructing how audiences in fifth-century BCE Athens created meaning from the performance of tragedy at the dramatic festivals sponsored by the city-state and its wealthiest citizens, it considers the context of Athenian political and legal structures, gender ideology, religious beliefs, and other social forces that contributed to spectators- reception of the drama. In doing so it focuses on the relationship between performers and watchers, not only Athenian male citizens, but also women and audiences throughout the ancient Mediterranean world.This book traces the historical development of these dynamics through three representative tragedies that span a 50 year period: Aeschylus- Seven Against Thebes, Sophocles- Oedipus Tyrannus, and Euripides- Helen. Topics include the role of the chorus; the tragic hero;
