A collection of 36 short stories from a Raqqa, Syria native whose home was commandeered by ISIS and later destroyed by coalition airstrikes.
Musa Al-Halool developed these stories based on a sense of embitterment toward the Syrian regime. Now, after his country has fallen from the grips of an obtuse and rigidly bureaucratic state into the uncertainties of war . . . he presents his stories as the response of one still-same voice in the midst of madness.
Musa Al-Halool’s stories depict a Kafkaesque Middle Eastern world. The collection opens with eight political fables in a chapter titled Ratistan . . . or the country of Rats. These fables introduce themes which are picked up and developed in the later stories or simply serve as counterpoint to the longer pieces.
The Dusk Visitor is an object lesson for Western readers. In just a few words, it invokes the warnings of Ernest Hemingway about the dangers of Fascism in 1920s Italy and the Spanish Civil War of the 1930s . . . that resulted in WWII. The author shows in compelling detail that Middle East dictators and the upside down world of security state rule in the Middle East are the reward for functioning civil societies where a few too many ”good people” find it more convenient to collaborate rather than to resist.
Western readers, in their arrogance, are accustomed to pity such dysfunctional societies. In The Dusk Visitor, the tables are turned. Musa Al-Halool forces us to look in the mirror: Middle Eastern style comical inanity and inefficiency as well as torture, mass murder, and other human rights horrors are just around the corner for the EU, UK, US, and other societies where it is OK to raise half-truths, lies, and exaggeration above traditional journalism, dilute the judiciary, gerrymander the election system, usher in strongmen who prefer to be rulers for life, and threaten legal action against one’s political opponents.
The Dusk Visitor is a MUST-READ for anyone concerned about the growth of subtle and overt fascism within modern civil society.
