White Shroud (Balta drobule, 1958) is considered by many as the most important work of modernist fiction in Lithuanian. Drawing heavily on the author-s own refugee and immigrant experience, this psychological, stream-of-consciousness work tells the story of an -gr-oet working as an elevator operator in a large New York hotel during the mid-1950s. Using multiple narrative voices and streams, the novel moves through sharply contrasting settings and stages in the narrator-s life in Lithuania before and during World War II, returning always to New York and the recent immigrant-s struggle to adapt to a completely different, and indifferent, modern world. Strong characters and evocative utterances convey how historical context shapes language and consciousness, breaking down any stable sense of self.As in other major modernist works, -kema uses language and allusion to destabilise. Narrative, voice and language shift continuously, capturing the anti-hero-s psychological and cultural disorien
