It is rare to find in one collection an entire skyline burning and the quiet to follow a single worm, to hear soil breathein Jorie Graham's fifteenth poetry collection, you do.
Jorie Grahams fifteenth poetry collection, To 2040, opens in question punctuated as fact: Arewe / extinct yet. Who owns / the map. In these visionary new poems, Graham is part historian,part cartographer as she plots an apocalyptic world where rain must be translated, silence singslouder than speech, and wired birds parrot recordings of their extinct ancestors. In one poem, the speaker is warned by a clairvoyant the American experiment will end in 2030. Graham shows us our potentially inevitable future soundtracked by sirens among industrial ruins, contemplating the loss of those who inhabited and named them.
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